Tuesday, July 16, 2013

Former Microsoft Chief Software Architect Ray Ozzie joins HP's board of directors

Ray Ozzie may have left Microsoft back in October 2010, having directly focused a lot of the company's recent efforts on cloud connectivity, but he's now got a new job. Ozzie will be joining HP CEO Meg Whitman on the company's board. Increasing the board size to twelve, he will join James Skinner, currently the chairman of Walgreens and former CEO of McDonald's and former CEO of Liberty Media Robert Bennett. The influential former MS software chief, who succeeded Bill Gates in the position back in 2006, will join groups looking into human resources, compensation and governance -- some pretty important spheres. HP isn't done, however, and will apparently be hunting down yet more directors in the next few months.

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Source: HP

Source: http://feeds.engadget.com/~r/weblogsinc/engadget/~3/UviCcfPjZAg/

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Sunday, July 14, 2013

Auckland mayor confirms he'll seek second term

Updated at 10:25 pm on 14 July 2013

Auckland mayor Len Brown has confirmed he will seek a second term in office in October.

Mayor Len Brown.

Mayor Len Brown.

RNZ

Mr Brown launched his election campaign on Sunday, promising to continue focussing on transport, housing and economic development.

Mr Brown wants to start the major downtown rail-tunnel project before the 2020 date suggested by the Government, and will continue pushing the same policies he has driven during his first term.

Mr Brown hopes the next year's rate rise for Auckland could be its lowest yet at 2.5%.

Election nominations open on Friday.

Mr Brown already faces three challengers. They are: John Minto of the Mana Party, businessman John Palino and Pacific People's Advisory panel chair Uesfili Unasa.

Source: http://www.radionz.co.nz/news/regional/214492/auckland-mayor-confirms-he'll-seek-second-term

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Tuesday, July 2, 2013

Ohio Gov. Kasich Sneaks Radical Anti-Abortion Measures Into State Budget (Little green footballs)

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Source: http://news.feedzilla.com/en_us/stories/politics/top-stories/316465574?client_source=feed&format=rss

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Despite cuts, Fort Knox's iconic status endures

FORT KNOX, Ky. (AP) -- Few military posts have a place in pop culture as rock solid as Kentucky's Fort Knox, thanks to its mysterious gold vault.

The name of the historic base is practically synonymous with impenetrability. In addition to housing the Treasury Department's U.S. Bullion Depository and its stacks of gold, the Army's tank training school was started at Fort Knox. And the sprawling central Kentucky Army post has been the setting for blockbuster Hollywood films.

But Knox's days as a war-fighting post may be over with the Pentagon's decision last week to strip its only combat brigade, which follows the loss of its famed armor school and thousands of tank personnel just a few years ago. The base will remain the site of the gold vault, but otherwise it could be destined to function less as a tip-of-the-spear military facility and more as a home to office and support workers.

Many of those workers file into a nearly million-square-foot structure on post that was completed a few years ago, but the massive building doesn't seem destined to unseat the vault as the symbol of Fort Knox.

"It is kind of an icon. Most people when they see the outline of the depository, they know what it is," said Harry Berry, a retired Army lieutenant colonel who is now judge-executive in Hardin County. "When you think about Fort Knox, if you don't have a military background, you instantly think about gold or 'Goldfinger,'" the 1960s James Bond film.

The Pentagon announced last week that it was eliminating Knox's 3rd Brigade Combat Team, 1st Infantry Division as part of a major restructuring that will reduce the Army's active duty combat brigades to 33 from 45. The cuts will reduce the size of the Army from about 570,000 in the midst of the Iraq war down to 490,000, which includes personnel in units that support the brigades.

For some posts, that means the loss of a few hundred soldiers, but in Knox's case it's a cut of more than 40 percent to its active duty force and nearly a total elimination of its fighting personnel. Kentucky Gov. Steve Beshear puts the figure at about 10,000 lost troops and their families leaving Knox and the surrounding area.

Gen. Ray Odierno, Army chief of staff, said the military was not moving toward closing Knox: He pointed out that the Army's recruiting and human resource commands have relocated there since a major Army realignment almost a decade ago.

Baldy Carder, who owns a tattoo parlor in nearby Radcliff, said he's not worried about the post closing ? "because of the gold reserve." But he said his business could take a hit since about half his customers come from the post.

"When you're talking about 10,000 people leaving, that's quite a chunk of change that we're going to be losing," he said.

Fort Knox's own estimates project that its annual economic impact will shrink from about $2.8 billion a year to $2.62 billion upon the brigade's departure, said Ryan Brus with the post's public affairs office. That's a decrease of more than 6 percent.

Much of Knox's future is invested in the home for the Army's Human Resources Command, which opened in 2010. The gleaming structure is the largest office building in Kentucky and one of the biggest in the military.

The work going on inside is a far cry from the military post's heyday when tanks and infantrymen roamed the grassy hills. Knox was known as the home of the Army's tank and armored vehicle training for more than seven decades, before the Pentagon completed the move of the school to Fort Benning, Ga., in 2011.

Lonnie Davis hated to see the tanks go. Aside from the lost business for his Radcliff barber shop, the Kut Zone, he had a 20-year career in the Armored Division at Knox.

"That's why I went into Armor, to stay close to home," Davis said.

Today, the Gen. George S. Patton Museum and a scattering of aging tanks and armored vehicles sprinkled around the post are only remnants of that past.

Inside the museum, which just finished a $5 million renovation, visitors learn about the post's history, and tucked away in a small corner is a tribute to its Hollywood past. That started with "The Tanks Are Coming," a 1951 film about a tank crew fighting its way into German territory. Bill Murray's comedy "Stripes" was released in 1981, with Knox doubling as the fictional Fort Arnold where Murray goes through basic training.

But the most iconic film shot at the post was 1964's "Goldfinger," with Sean Connery in the role as 007, tasked to stop a madman from destroying the country's gold reserves.

The movie helped spur curiosity about Knox's gold vault, which opened in 1937. Its seemingly impregnable walls ushered Fort Knox into the American lexicon as a way to describe a safe and secure location.

During World War II, the gray stone fortress housed documents including the U.S. Constitution and the Declaration of Independence. The U.S. Treasury Department says on its website that there are now 147 million ounces of gold inside, with an estimated worth of more than $160 billion at today's prices.

But the gold stays inside, and the bullion depository is not a tourist attraction: No visitors are allowed in.

Berry and Davis said Knox's future success could depend on adding staff to Human Resources Command along with other administrative-oriented missions. The post's total workforce now is about 20,000, including active duty and civilians.

"We'll gain from that as opposed to the green-suit side, if you will," Berry said.

Source: http://news.yahoo.com/despite-cuts-fort-knoxs-iconic-204646658.html

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Monday, July 1, 2013

Star-Spangled Cranberry-Apple Pie

Ingredients

Preparation

Preheat the oven to 375?F.

Bake one pie crust. Roll out the second pie crust and cut out a dozen small (1-1/2- to 2-inch) stars. Chill 30 minutes or longer if possible. Place them on a baking sheet and bake until golden brown. Reserve. (This can be done while you are prebaking the pie crust.)

Melt the butter in a large skillet. Add the brown sugar, cinnamon, nutmeg, ginger, apples, and cranberries and gently stir to mix well and let the sugar dissolve. Cook over medium-low heat, stirring occasionally, until the cranberries have popped and the fruit is tender but the apples still have some body.

Remove the fruit with a slotted spoon and reserve. Bring the juices to the boil, reduce the heat, and simmer until they reduce and become thick and jammy, about 8 minutes. Stir the fruit into the thickened juice. Taste to be sure it is sweet enough, adding more sugar if necessary. If it is runny, boil down until the juices are reduced and thickened. The filling may be made ahead to this point several days or frozen for up to 3 months. When ready to use, reheat. Spoon the filling into the prebaked shell. Decorate the top with the stars. Serve with whipped cream or ice cream.

Yield

Serves 8 to 12

Cook Time

Prep Time: 15 mins.
Cook Time: 10 mins.

Nutrition information is provided as a resource. Values will vary depending on specific ingredients used.

Serving Size: 1
Number of Servings: Serves 8 to 12

Amount Per Serving:
Calories: 432
Calories from Fat: 171


Amount per Serving

% Daily Value*

Amount per Serving

% Daily Value*

Total Fat 19g

29%

Carbohydrates 87g

29%

Dietary Fiber 9g

36%

Saturated Fat 15g

75%

Calories 432kcal

21%

Cholesterol 38mg

12%

Protein 10g

16%

Sodium 51mg

2%

*Percent Daily Values are based on a 2,000 calorie diet. Your daily values may be higher or lower depending on your calorie needs.

Source: http://www.plumbsmarket.com/Recipes/RecipeFull.aspx?RecipeID=32506

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91% Frances Ha

All Critics (101) | Top Critics (35) | Fresh (92) | Rotten (9)

It's a tribute to Gerwig's performance, somehow both clumsy and elegant, that she wins us over despite ourselves, that we come to appreciate her aimlessness in a goal-oriented society ...

This is an odd film (creepier than it knows), and even if you feel the atmospheric company of Dunham-ism, with a little of Whit Stillman, Henry Jaglom, and Woody Allen, the core influence on Noah Baumbach's film is fifty years older or more.

Baumbach usually builds his films around difficult protagonists, but Frances is entirely endearing, at once silly and deep, hopeless and promising.

The dialogue and editing are zippy and generally charming, combining with the tart observations of 20-something culture to create a nice frisson.

A black-and-white salute to the French New Wave (the score is borrowed from Georges Delerue, composer of many a Truffaut and Godard film) that manages to be very much of this moment ...

The movie's a love letter to an actress and her character, but by the end you may feel like an intervention is more in order.

Frances Ha is a refreshingly contemporary film, exploring 20-something hipster ennui with accuracy, empathy and humour.

As long as you remember to laugh, Frances Ha is a tolerable experience. Forget the "ha ha" and Frances Ha is beyond unbearable. I found this an odd and often frustrating truth, but it's what makes Noah Baumbach's new movie a success.

Gerwig keeps you on side and rooting for Frances to get her act together in what becomes an affectionate salute to messy lives, an endearing underachiever and a New York state of mind.

Don't be fooled by Frances with all her feigned insecurity and branding of herself as "undateable" and predicting she'll be a lonely spinster. She's a psychopath.

Gerwig's deft screwball timing turns every disaster into a grace note. This may be a comedy of awkwardness, but rather than curl, your toes will tap.

A refreshing amount of buoyancy to dance and charm its way through Quarter-Life Crisis territory. One of the best performances of Greta Gerwig's career to date

Frances Ha is a sympathetic but not uncritical depiction of a girl's gradual evolution into a woman; one that never condescends by forcing her to abandon all her quirks and impish qualities in the final act... An absolute delight, this is.

Indie darling Gerwig has a great deal to do with the picture's success: she's disarmingly likable...

There's a level of audacity beneath the lightweight whimsy in this unassuming low-budget comedy.

"Frances Ha makes a star out of Gerwig, and she's the kind of star we need: a goofy one we can feel tender about but never underestimate."

'I can't account for my own bruises,' Frances says, as if she were a clumsy kid with an adult's vocabulary. Does the remark refer to more than the abrasions on her skin?

A celebration of cinema, New York City and the distinctive charms of actress Greta Gerwig, Frances Ha was co-written by Gerwig and its director, Noah Baumbach, and it's the best film either has made.

There's a thin line between comedy and tragedy, and Greta Gerwig walks it remarkably well.

There's depth and realism in the way Frances Ha shows aspiration versus reality.

Gerwig, beyond a doubt, is immeasurably appealing, and Frances Ha is tailor-made to showcase her gifts better than anything she's ever been in.

...if you hold your nose and simply wallow through the stench of self-aggrandizement, you'll be rewarded with an experience that will actually tug on your emotions.

Frances Ha provides a sharp, fleet, and very funny look at female friendship and the acceptance of adult responsibilities.

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Source: http://www.rottentomatoes.com/m/frances_ha_2013/

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